Pompeii

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Pompeii alive, Pompeii submerged, Pompeii exhumed

A journey into the heart of Pompeii, one of the most sensational sites in the entire history of archaeology.

Synopsis

Step into Pompeii on the eve of its destruction in 79 AD. Through spectacular projections, advanced 3D reconstructions and immersive soundscapes, Pompeii becomes a time machine capable of travelling through the centuries.

The experience unfolds in three movements: the flourishing Roman city, the dramatic 360° eruption of Vesuvius, and the rediscovery of the site through modern archaeology.

Developed with the Parco Archeologico di Pompei and GEDEON Experiences, it combines cutting-edge technology with authentic treasures (artefacts, frescoes, casts, and sculptures) to offer a renewed understanding of one of history's most extraordinary sites.

Informations

Requirement: Minimum 500 sqm — 5 meters height
1,1 hours digital content
Original artefacts & replicas available on demand
4 minutes VR Experience
3 educational interactive displays

Coproduced with

"Our immersive exhibition brings all the archaeological discoveries back to life and allows visitors to witness the largest excavation carried out in Pompeii since World War II. This unique experience whisks them away to a street in the ancient city. Once again, Pompeii becomes a time machine capable of traveling through the centuries."

Massimo Osanna, Director of the Pompeii Archaeological Park

About our partners

The Archaeological Park of Pompeii is one of the most extraordinary World Heritage sites. Its perimeter encompasses the site of Pompeii along with several other museums and archaeological sites in the region, including Oplontis, Stabiae, and Boscoreale. A UNESCO World Heritage Site, Pompeii offers a unique window onto daily life in ancient Rome, frozen under the ash of Vesuvius since 79 AD.

GEDEON Experiences is the innovative arm of GEDEON Media Group, a leading documentary producer in France and internationally for twenty-five years. A creator of multi-format narratives, it designs and produces immersive cultural experiences by drawing on its mastery of storytelling, access to exclusive subjects, and a proven ability to deliver large-scale international projects. An expert in 3D reconstructions of vanished environments, it collaborates with major cultural institutions worldwide.

Grand Palais Immersif designs and produces immersive exhibitions that combine scientific rigour, artistic creation, and technological innovation to deliver unique cultural experiences.

Founded by Grand Palais RMN, the Caisse des Dépôts as part of France 2030, and VINCI Immobilier, Grand Palais Immersif emerged from a shared ambition. Developed in Paris around its venue on Place de la Bastille, it quickly established itself as a pioneer in immersive experiences, recognised for the scientific and artistic quality of its exhibitions.

In 2024, Chargeurs Museum Studio - a leader in the design and production of cultural, museum, and immersive exhibitions - became the majority shareholder of Grand Palais Immersif alongside its founders, with the ambition of accelerating the international rollout of its exhibition catalogue through touring.

Credits

Curation - Prof. Massimo Osanna, General Director of the Pompei Archeological Park, assisted by Luana Toniolo, archeologist Pompei Archeological Park Scenography - Sylvain Roca Technical and Audiovisual Conception - Mardi 8 Graphic design - Atelier Bastien Morin Lighting design - Reflet, Bénédicte Garby Audiovisual conception and production - GEDEON Programmes Direction - Olivier Brunet Musical composition and sound design - Olivier Lafuma Video - Shenzen SWCAC Images - AGaraudel

Q&A

Contact us?

A question? An exhibition project? Our team will get back to you with a customised proposal tailored to your venue and audience.

What does Museum Studio mean by hybrid exhibition? +

A hybrid exhibition, as we conceive it, goes beyond the traditional format: it draws the visitor into a sensitive narrative designed as a journey. The theatrical scenography gives space to each part of the story and engages the visitor through digital devices and unique artifacts that pace the exhibition. Sound, light, projection, interactivity: everything works together to heighten the senses and create an enveloping experience where the visitor is no longer merely looking, but fully engaged, physically and emotionally. The goal is to fundamentally renew the relationship between audiences and the exhibition subject.
How do your exhibitions differ from traditional ones? +

Where a traditional exhibition presents artworks in an informative, contemplative way, our exhibitions place the visitor at the centre of a fully designed environment. The narrative is enveloping, the journey is conceived as a total experience, and the approach to artworks and scholarly content is renewed. For institutions, this translates into greater appeal and the arrival of new audiences.
What is the level of scientific and curatorial validation of the exhibitions? +

Here is a summary of the answer: Each exhibition is co-developed with major partner institutions — the Louvre, the Réunion des Musées Nationaux – Grand Palais, the Mucha Foundation, the Civic Museums of Venice, and the Archaeological Park of Pompeii — which act as scientific and curatorial co-authors: they validate the content, contribute to the documentary and iconographic resources, and co-curate the exhibition. Thus, Meet Mona Lisa was developed with Vincent Delieuvin, Chief Curator of 16th Century Italian Painting at the Musée du Louvre, and Eternal Mucha with the Mucha Foundation, ensuring the scientific rigour of each production.
Are your exhibitions suitable for all audiences? +

Yes. Our catalogue covers a broad thematic range - from classical art to pop culture, history and heritage - allowing each institution to target specific audiences or broaden their visitor base. Playground Kids is specifically designed for young audiences. Tailored mediation tools can be developed to increase the relevance of each exhibition for your local audiences.
What kinds of immersive devices are used in the exhibitions? +

Each exhibition deploys a combination of devices tailored to its narrative: large-format video mapping, 360° immersive projection systems, spatial sound installations, interactive interfaces, augmented reality, digital mediation tools and 3.0 technologies. Every device is integrated into the scenography and the narrative journey, serving the story and the visitor experience.
Can the immersive devices be adapted to our existing technical infrastructure? +

Yes. Working alongside your local teams, and through technical and curatorial meetings, we will work with you to tailor the content to your venue and its specific requirements. We can take care of the exhibition design, or it can be carried out in-house, depending on your preferences and resources.
Can a touring exhibition be customised for a local context? +

Yes, within reason. While the core of each exhibition (narrative, scenography, devices) is set to preserve its artistic integrity, adaptations are possible: translation and localisation of content, addition of artefacts, and integration of educational modules tailored to the regional context.
Which institutions has Museum Studio already worked with? +

Museum Studio and The Travelling Collection have built partnerships with leading institutions: the Louvre, the Réunion des Musées Nationaux – Grand Palais, the Mucha Foundation, the Civic Museums of Venice and the Archaeological Park of Pompeii. This network guarantees the curatorial legitimacy and scientific quality of every production.
Can a host institution become a creation partner? +

Yes. Museum Studio is open to co-productions with institutions whose collections or thematic expertise align with the vision of The Travelling Collection. If you have a project or a collection that would like to transform into a touring exhibition, we would be delighted to discuss it with you.